— Trailer for The Master (2012), Paul Thomas Anderson
Speak in one breath.
My writing has acquired a new looseness. Not sure how to describe it. Just that it feels much easier to acquire and shed voices now and that there’s a new ease in finding one that best fits the shape and timbre of whatever story I’m working on. That Caliban-like quality in Jo that tenses at the opportunity to do the right thing when she would rather just let her demons duke it out. Grey’s world-weariness. Her not refusing an opportunity for work because she’s too tired to protest. And now this new narrator, who doesn’t yet have a name, and his hyper-vigilance of his father’s linguistic habits.
If anything, it feels like I’m finally lifting off of this plateau I’ve been on for so long. Not quite sure how it happened, whether it was my extended exile in the land of screenplays and stageplays or whether it was the voracious omnivorousness of this year’s reading, but I’m not complaining.