— Trailer for The Master (2012), Paul Thomas Anderson

…I do not mourn the perishing of their flesh. Only the smallness of their light which once existed and may exist again but has left this place, in its present moment, wholly and completely in darkness.
Red Sky, Blue Earth: A Novel by Tochi Onyebuchi
If I had a son, he’d look like Trayvon.
President Barack Obama
What age is a black boy when he learns he’s scary?
Jonathan Lethem, The Fortress of Solitude (via speakeasyforum)
(Reblogged from speakeasyforum)
Best version yet.

Best version yet.

I was thinking about the anti-living-abroad trend or something—which implies a sort of unpatriotic attitude on my part—but, you see, my heroes of my generation—the Lawrences, the Norman Douglases, the Aldingtons, the Eliots, the Graveses—their ambition was always to be a European. It didn’t qualify their Englishness in any way, but it was recognized that a touch of European fire was necessary, as it were, to ignite the sort of dull sodden mass that one became, living in an unrestricted suburban way. Things would have been vastly different if I had had a very large private income, been a member of the gentry, had a charming country house and a flat in town and the ability to live four months of the year in Europe: I should certainly have been domiciled in London. But when you’re poor and you have to face shabby boarding houses and all the dreariness of South Ken or Bayswater or Woburn Place, with only the chance of seeing Europe in snippets of a month at a time, you have to make the vital decision as to whether you live in Europe and visit England, or whether you live in England and visit Europe.
Lawrence Durrell, Paris Review, The Art of Fiction No. 23 (1959-60)

(Source: theparisreview.org)

I came back to Louisville after the Olympics with my shiny gold medal. Went into a luncheonette where black folks couldn’t eat. Thought I’d put them on the spot. I sat down and asked for a meal. The Olympic champion wearing his gold medal. They said, “We don’t serve niggers here.” I said, “That’s okay, I don’t eat ‘em.” But they put me out in the street. So I went down to the river, the Ohio River, and threw my gold medal in it.
Muhammad Ali, Quotes from Esquire Magazine

(Source: esquire.com)

Civil Rights Roundtable 1963 (Participants: Harry Belafonte, Charlton Heston, Sidney Poitier, Joseph Minklewitz, Marlon Brando, James Baldwin)

(Source: youtube.com)

awesomepeoplehangingouttogether:

Eartha Kitt and James Dean taking Katherine Dunham’s dance class
(submitted by joeacollege)

awesomepeoplehangingouttogether:

Eartha Kitt and James Dean taking Katherine Dunham’s dance class

(submitted by joeacollege)

(Reblogged from awesomepeoplehangingouttogether)

Speak in one breath.

My writing has acquired a new looseness. Not sure how to describe it. Just that it feels much easier to acquire and shed voices now and that there’s a new ease in finding one that best fits the shape and timbre of whatever story I’m working on. That Caliban-like quality in Jo that tenses at the opportunity to do the right thing when she would rather just let her demons duke it out. Grey’s world-weariness. Her not refusing an opportunity for work because she’s too tired to protest. And now this new narrator, who doesn’t yet have a name, and his hyper-vigilance of his father’s linguistic habits.

If anything, it feels like I’m finally lifting off of this plateau I’ve been on for so long. Not quite sure how it happened, whether it was my extended exile in the land of screenplays and stageplays or whether it was the voracious omnivorousness of this year’s reading, but I’m not complaining.